The movie also falls victim, somewhat, to the blessings and curses associated with the multiverse, which offers infinite possibilities but also the occasional sense that there are so many permutations none of them matter all that much. While the movie remains a dazzling experience in terms of what the animation achieves, it indulges in what feels like sensory overload, seeking emotional heft in ways that slow down the action.
Coming almost five years later, “Spider-Man: Across the Spider-Verse” spins a much denser web, padding on about 40 minutes that make this exercise heavier and considerably less nimble. The stunning visual palette of “Spider-Man: Into the Spider-Verse” soared in 2018, combining that eye-popping animation with an abiding love of the comics and plenty of goofy humor.
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